Robert Rauschenberg
Robert Rauschenberg: A Visionary of Modern Art
Full Name and Common Aliases
Robert Rauschenberg, born Milton Ernest Rauschenberg, is often simply referred to as Rauschenberg. Throughout his career, he became a pivotal figure in the art world, known for his innovative approach and boundary-pushing works.
Birth and Death Dates
Robert Rauschenberg was born on October 22, 1925, and passed away on May 12, 2008. His life spanned a period of immense change in the art world, and he was instrumental in many of those transformations.
Nationality and Profession(s)
Rauschenberg was an American artist whose work encompassed painting, sculpture, photography, and performance art. He is best known as a painter and graphic artist, but his influence extended into various forms of media, making him a true multidisciplinary artist.
Early Life and Background
Born in Port Arthur, Texas, Rauschenberg grew up in a conservative Christian household. His early life was marked by a lack of exposure to the arts, as his family did not encourage artistic pursuits. Despite this, Rauschenberg's creative instincts were evident from a young age. He initially studied pharmacology at the University of Texas but was drafted into the U.S. Navy during World War II. It was during his time in the Navy that he discovered his passion for art, leading him to pursue formal studies at the Kansas City Art Institute and later at the Académie Julian in Paris.
Rauschenberg's artistic journey took a significant turn when he enrolled at Black Mountain College in North Carolina, where he studied under the tutelage of influential figures like Josef Albers. This experience exposed him to avant-garde ideas and set the stage for his future innovations.
Major Accomplishments
Rauschenberg's career is marked by a series of groundbreaking accomplishments that challenged the conventions of art. In the 1950s, he began creating his "Combines," a series of works that blurred the lines between painting and sculpture by incorporating non-traditional materials such as found objects, textiles, and photographs. These works defied categorization and expanded the possibilities of artistic expression.
In 1964, Rauschenberg became the first American artist to win the prestigious Grand Prize at the Venice Biennale, a testament to his international influence and the impact of his work on the global art scene. This recognition solidified his status as a leading figure in contemporary art.
Notable Works or Actions
Among Rauschenberg's most notable works is "Monogram" (1955-1959), a Combine that features a taxidermied goat encircled by a tire, standing on a painted canvas. This piece exemplifies his innovative use of materials and his ability to merge disparate elements into a cohesive whole. Another significant work is "Bed" (1955), which transforms a quilt and pillow into a vertical canvas, challenging traditional notions of painting.
Rauschenberg was also a pioneer in the use of technology in art. His collaboration with engineers and scientists at Bell Laboratories in the 1960s led to the creation of "Experiments in Art and Technology" (E.A.T.), an organization that fostered collaboration between artists and technologists.
Impact and Legacy
Robert Rauschenberg's impact on the art world is profound and enduring. He is often credited with bridging the gap between Abstract Expressionism and Pop Art, paving the way for future movements such as Conceptual Art and Installation Art. His willingness to experiment with materials and techniques inspired countless artists to push the boundaries of their own work.
Rauschenberg's legacy is also evident in his philanthropic efforts. He established the Rauschenberg Overseas Culture Interchange (ROCI), a project that aimed to promote cross-cultural exchange through art. This initiative reflected his belief in the power of art to transcend cultural and political barriers.
Why They Are Widely Quoted or Remembered
Robert Rauschenberg is widely quoted and remembered for his fearless approach to art-making and his ability to see beauty and potential in the everyday. His famous quote, "Painting relates to both art and life. Neither can be made. (I try to act in that gap between the two)," encapsulates his philosophy and his desire to blur the lines between art and life.
Rauschenberg's work continues to resonate with audiences and artists alike, serving as a reminder of the transformative power of creativity. His legacy lives on through his art, his influence on subsequent generations, and his contributions to the dialogue between art and society.
Quotes by Robert Rauschenberg
Robert Rauschenberg's insights on:
I usually work in a direction until I know how to do it, then I stop. At the time that I am bored or understand - I use those words interchangeably - another appetite has formed. A lot of people try to think up ideas. I'm not one. I'd rather accept the irresistible possibilities of what I can't ignore.
Photography has always been a major part of my vision: my excuse for meddling with what the world looks like.
I'm not so facile that I can accomplish or find out what I want to know or explore enough of the possibilities and a way of making a painting, say, in just one painting or two paintings.
Steichen bought my first photographs that I ever sold. He recognized the style from the school of Black Mountain. After that, it was about twenty years before I sold another photograph.
I don't think any one person, whether artist or not, has been given permission by anyone to put the responsibility of the way things are on anyone else.
And all of this, all these physical aspects of painting at that time excited me very much. You could do a picture in just black and white. I mean all the things, whether you're soliciting permission or not, do give you permission.
Anything you do will be an abuse of somebody else's aesthetics. I think you're born an artist or not. I couldn't have learned it. And I hope I never do because knowing more only encourages your limitations.
There was a whole language that I could never make function for myself in relationship to painting and that was attitudes like tortured, struggle, pain.